CONVERSATION TENSON FORM is a (talk poem)
ie in this example verbal interview in words
"say Brian"
what is your poetry creed?"
POETRY IS AN ORAL ART AT ITS BEST WHEN RECITED
it then becomes a two-way unique one-off.experience .
ok then...to the detail-
"So is traditional line capitalisation ok with you?"
In RHYME ..YES..
but NOT otherwise as it creates a natural pause (ie it stilts) & thus disrupts the flow
"presumably thats why wrap-around lines are also a no-no for you? "
YES but mainly they are not visually conducive to read digitally or otherwise!
"Ok,I see that but what have
you got against those five forms
and the like,you know
acrostic,
kyrielle
terzanelle
villanelle
&pantoum etc? "
NOT against them per se
they can be good for a learning exercise,
a bit like scales are important when learning the piano
but are too contrived & mechanical IMHO for our art form
"Yet you like shape,emagi & ekphrasis verse! "
Indeed,they reveal my weakness for art in poetry!
"So why do you appear to dislike prose poetry!"
I don't dislike them as such, the two arts just don't mix for my taste.
"Are there particular forms that appeal?"
Rhyme,alliteration,clerihew,footle&hiku*(both in the singular especially)
will always ring my bell.
& of course
poetry in the OPEN VERSE style
which is what Brian?
OPEN VERSE uses spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening
MY POETIC BIO in verse
Alliteration,the starting place, alongside
cinquains,apace in time,crystalline
lanterne and rhyme.Inspiration drew forth
footle,broken monoku &emagi for a while short
imagist was my style.Sequenced longer
poems metamorphose within this crysallis
changing into ekphrasis.Open,and free to be,
as you see,structured prose poetry.With
cadence and pause,others hear my voice
Open VERSE now this poet’s choice.
